{"id":38583,"date":"2015-08-01T10:30:34","date_gmt":"2015-08-01T08:30:34","guid":{"rendered":"https:\/\/www.jovespectacle.cat\/noticies\/?p=38583"},"modified":"2015-08-01T10:30:34","modified_gmt":"2015-08-01T08:30:34","slug":"critiques-el-flautista-dhamelin-de-oliveira-salcedo","status":"publish","type":"post","link":"https:\/\/www.jovespectacle.cat\/portal\/2015\/08\/01\/critiques-el-flautista-dhamelin-de-oliveira-salcedo\/","title":{"rendered":"Cr\u00edtiques: \u2018El flautista d\u2019Hamel\u00edn\u2019 de Oliveira Salcedo"},"content":{"rendered":"<p style=\"text-align: center\"><a href=\"https:\/\/www.jovespectacle.cat\/portal\/wp-content\/uploads\/2015\/12\/El-Flautista-dHamelin-OlveiraSalcedo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-38585\" src=\"https:\/\/www.jovespectacle.cat\/portal\/wp-content\/uploads\/2015\/12\/El-Flautista-dHamelin-OlveiraSalcedo.jpg\" alt=\"El Flautista d'Hamelin - OlveiraSalcedo\" width=\"469\" height=\"322\" srcset=\"https:\/\/www.jovespectacle.cat\/portal\/wp-content\/uploads\/2015\/12\/El-Flautista-dHamelin-OlveiraSalcedo.jpg 571w, https:\/\/www.jovespectacle.cat\/portal\/wp-content\/uploads\/2015\/12\/El-Flautista-dHamelin-OlveiraSalcedo-300x206.jpg 300w\" sizes=\"auto, (max-width: 469px) 100vw, 469px\" \/><\/a><\/p>\n<p><span style=\"color: #000000\">Vist el 18\/04\/2015 a <span style=\"text-decoration: underline\"><span style=\"color: #ff6600\"><a style=\"color: #ff6600;text-decoration: underline\" href=\"https:\/\/www.jovespectacle.cat\/noticies\/2015\/04\/21\/cronica-jove-espectacle-de-la-xxvia-mostra-digualada-2015\/\" target=\"_blank\">La Mostra d&#8217;Igualada 2015<\/a><\/span><\/span><br \/>\n<\/span><\/p>\n<p><span style=\"color: #000000\">Un espectacle d\u2019ombres xineses, basat en el conte popular, per\u00f2 que en realitat nom\u00e9s explica algunes parts del mateix, fent molt d\u2019\u00e8mfasi en la vida dels habitants d\u2019Hamelin, i tamb\u00e9 en la ineptitud i despreocupaci\u00f3 del seu mandatari principal. Inexplicablement -per a mi-, introdueix al Hansel i la Gretel, d\u2019un altre conte fam\u00f3s, mentre que dos moments molt importants de la hist\u00f2ria del flautista s\u00f3n passats de forma vaga (quan s\u2019end\u00fa les rates) o directament obviats, com \u00e9s el cas del segrest, flauta en m\u00e0, dels infants de la vila, acabant-se de cop abans de que els ciutadans es plantegin com solucionar-lo. En els gaireb\u00e9 40 minuts, podem apreciar, per\u00f2, dues coses molt positives, com s\u00f3n la voluntat de fer-lo en catal\u00e0 dels dos actors-manipuladors (Olga Oliveiro i Juvenal Salcedo), no nascuts a casa nostra. L\u2019altra seria una mena de visi\u00f3 \u2018cinematogr\u00e0fica\u2019 dels escenaris on passa l\u2019acci\u00f3, i especialment com passem d\u2019un a l\u2019altre, com si d\u2019un moviment de c\u00e0mera es tract\u00e9s. Una perspectiva que em sembla que d\u2019altres companyies d\u2019ombres podrien explorar: ignoro si ja ha estat aix\u00ed, no en els comptats espectacles d\u2019aquesta t\u00e8cnica de titelles que jo hagi vist. Tamb\u00e9 em va suggerir que en les ombres, encara no hi ha entrat el v\u00eddeo, com s\u00ed que ho ha fet en el teatre o en la dansa. Veia l\u2019espectacle i m\u2019imaginava que, efectivament, els escenaris d\u2019un espectacle d\u2019ombres, i el seu moviment, podrien ser filmats, mentre l\u2019evoluci\u00f3 i interpretaci\u00f3 dels personatges haurien de continuar sent, necess\u00e0riament, en viu.<\/span><\/p>\n<p>https:\/\/vimeo.com\/112167289<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vist el 18\/04\/2015 a La Mostra d&#8217;Igualada 2015 Un espectacle d\u2019ombres xineses, basat en el conte popular, per\u00f2 que en realitat nom\u00e9s explica algunes parts del mateix, fent molt d\u2019\u00e8mfasi en la vida dels habitants d\u2019Hamelin, i tamb\u00e9 en la ineptitud i despreocupaci\u00f3 del seu mandatari principal. Inexplicablement -per a mi-, introdueix al Hansel i &#8230;<\/p>\n","protected":false},"author":1,"featured_media":38585,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[19,77],"tags":[],"class_list":["post-38583","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-historicnovaweb2016"],"jetpack_featured_media_url":"https:\/\/www.jovespectacle.cat\/portal\/wp-content\/uploads\/2015\/12\/El-Flautista-dHamelin-OlveiraSalcedo.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jovespectacle.cat\/portal\/wp-json\/wp\/v2\/posts\/38583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jovespectacle.cat\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jovespectacle.cat\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jovespectacle.cat\/portal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jovespectacle.cat\/portal\/wp-json\/wp\/v2\/comments?post=38583"}],"version-history":[{"count":0,"href":"https:\/\/www.jovespectacle.cat\/portal\/wp-json\/wp\/v2\/posts\/38583\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jovespectacle.cat\/portal\/wp-json\/wp\/v2\/media\/38585"}],"wp:attachment":[{"href":"https:\/\/www.jovespectacle.cat\/portal\/wp-json\/wp\/v2\/media?parent=38583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jovespectacle.cat\/portal\/wp-json\/wp\/v2\/categories?post=38583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jovespectacle.cat\/portal\/wp-json\/wp\/v2\/tags?post=38583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}